Meegland

Megan Kelleher - Actress, Nerd, etc.

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Sunday, October 31, 2004

I have nothing particularly witty or interesting to say, but I haven't updated in several days and I don't want to make a habit of that.

Halloween party at Fowla-towskis' was awesome as usual. I'm hoping I can get a copy of some of those pics to share with y'all. I'm still operating on the frankenputer monster, so any kind of computing from home is cumbersome.

Tomorrow is my improv show.

I just realised that although I have taken several improv classes. I have never actually performed in front of an audience other than classmates. hmmm... this should be interesting. It could be very good... or VERY bad.

Wednesday, October 27, 2004

CONGRATS TO THE RED SOX AND FANS!!

Sunday, October 24, 2004

Ok, so apparently I was just visitor number 666 to my own blog. I couldn't remember when I had last written something. Creepy.

My back hurts from that damn yahoo promotion. I'm so glad it's over. I'm thinking promotions are not my cup of tea. I'm pretty good at pretending I care about a product, but I'm very succeptible to slacking off. I just hope none of the "spies" caught us sleeping in front of the window at the Dupont Circle Starbucks. oops. You try handing out fliers in the rain for 12 hours and see how good you feel the next morning.

Last night we went to Apex when we were done. The guy in my group is a bouncer there. It was fun, but it was early so there was nothing going on yet. The bartender was supposed to give us the hook up on drinks, but I ended up paying like $5 for a vodka cranberry. She wasn't very nice. I went home early because I was tired and out of money.

Now I'm off to improv class. tata

Friday, October 22, 2004

You know there are a lot of discrepancies in that article. Karen's last name is not Davis, it's Carbone. The military prisoners were difficult to find because we were supposed to use members of SAG before resorting to non-union actors. Carlyn actually has longer conversations with the actors than just those two sentences talking about her personal life and switching to business. She actually already has a 1 year old son, and when she was talking about getting pregnant it's because she doesn't want him to grow up as any only child. I thought it was inappropriate for Bedisha to use that selected sentence in the article. I mean there were less personal things like eating habits or bowel movements that could have been included rather than a woman's reproductive issues. So whatever.

But most importantly, the biggest source of misinformation in that article was at that time I was not an intern. I was a full time employee with my own phone extension and email address.

Now that I've been doing this promotional work in DC all week I've probably been replaced, but for a while there... I was into some important stuff.

Thursday, October 21, 2004

District Line
From the October 22, 2004 issue of The City Paper.
Ms. Cast
Carlyn Davis has mastered the art and science of “the D.C. look.”
By Bidisha Banerjee

In a Falls Church basement office, Carlyn Davis picks up the phone, as she does several hundred times a day. “Hi, it’s Carlyn Davis Casting. I’m calling to check your availability to be a military prisoner for the XXX: State of the Union shoot on Saturday,” she chirps, before launching into a vivid description of the scene; Ice Cube, she broadly hints, might even jump in or out of a helicopter.
“Wow, you have the entire movie committed to memory!” says Megan Kelleher, an intern sitting at a nearby phone. “Either that or you’re really good at making it up.”
Davis, 36, justifies herself without getting defensive: “I can’t call an extra and say, ‘Uh, you’re gonna make minimum wage, get yelled at, stand around in freezing rain, and not see any stars.’”
Davis’ sell works, but she still needs about 40 more military prisoners for the scene. It’s already 2 o’clock and the shoot is just two days away. Davis, D.C.’s self-proclaimed premier casting agent, turns to the nearly 500 faces that float on the walls above her head. They’re only a fraction of the 8,000 head shots stacked by race and sex around the office, representing “D.C. types” for all occasions.
The “D.C. look” has long been Davis’ bread and butter. When Hollywood directors shoot in D.C., they’re looking for a conservative and intensely political town filled with Capitol Hill suits, tourists, police and military officers, and “casual everyday people”—and it’s up to Davis to create it. Since she founded it seven years ago, Davis’ company has cast everything from television shows such as America’s Most Wanted and K Street to movies such as True Lies and Tuck Everlasting. Recently, she became the first casting director from the D.C. area to be accepted into the Casting Society of America. She is proud of her membership, believing it firmly sets her apart from the dime-a-dozen casting agencies that lurk in the area.
But being the main casting agent in town comes with a set of headaches that go beyond digging up a few “military-prisoner” types. The major Hollywood productions come to D.C. for a week or two, and during that time they make imperious demands. For Forrest Gump, she had to bring together 50 Black Panthers in a hurry and, because the costume designer didn’t want to bother with wigs, they all had to sport real Afros. “It may be a D.C. type, but not a modern-day one,” Davis says. She resorted to scoping out a Lenny Kravitz concert in order to track down her prey.
The XXX: State of the Union shoot is turning out to be another big-budget nightmare. Right now, Davis has 100 people slated to work this weekend, but she can’t tell them when they’ll start until late this evening. And she has just found out that another shoot, scheduled for the next day and involving 90 of her “gangsta” extras, has been canceled. “I have to change 90 people’s lives,” she says. “How do I say this without being offensive? These are all people who looked like they could be gangsters. They are so excited, and all of them are going to be heartbroken.”
Her fervor often leads Davis to demand more accountability from Hollywood reps than they are used to providing. “You can do whatever you want in L.A.,” she says. “This is Washington, D.C., and people have full-time jobs. These are not people who are drooling, waiting to be extras with their paws up. They have to use vacation days or whatever.”
But despite her loyalty to D.C., Davis’ appraisal of “the D.C. look” is very much in keeping with Hollywood’s stereotype: The city, she says, is still pretty conservative. Davis, a small woman with long, streaked brown hair, herself fits this bill. Except for a brief stint at 17 as an aspiring actress in Los Angeles (at the end of which she decided, “I didn’t want to be the specimen anymore. I wanted to be the doctor”), Davis has lived in and around Arlington all her life. She is comfortable with perpetual urgency; indeed, she uses it to propel her conversations with callers, which often slip in and out of intimacy. “Apparently there’s nothing wrong with me. I just can’t get pregnant,” she tells one woman. “They ask me, ‘Well, are you stressed?’ Of course I’m stressed! All right, I have you on first refusal. If you don’t hear from me, it’s off.”
Part of the stress of XXX: State of the Union is that Davis and her team are looking for a variety of types. Right now, in addition to the military prisoners, they’re also working on rounding up some Georgetown yuppies, and some “poor”-looking people for a scene that will establish Ice Cube’s gangsta persona; it’s supposed to be set in Southeast but will be filmed in Baltimore. Finding the gangsta types, Davis admits, was hard enough, especially because most D.C. actors are too “refined-looking.” “There were some ’hood scenes where we needed people who could match what you could see anywhere in Washington. Drive off the beaten path and what are you gonna see? Low-income,” she says. Additionally, the Hollywood people demanded “real bums,” but, Davis says, “I’m not getting a real homeless person—that would be a catastrophe.”
Davis and her crew usually do the actual typecasting in an instant. But Davis has a tough time explaining her instincts: “You have your D.C. people and they look like D.C. Some people in Baltimore look like D.C. But Baltimore tends to be not quite as conservative and a little more artsy, free-natured, a little more relaxed...but sometimes more uptight,” she says.
By 3:30, Davis and her team have started to pick up steam with the military prisoners. After casting a bunch of them from head shots, they’ve got it down to such an exact science that they don’t even need to look. “He sounds like a prisoner,” Kelleher says, laughing, as she transfers a caller to another assistant, Karen Davis. Kelleher explains that he has a deep, gravelly voice, as if he’s smoked a lot of cigarettes.
Within minutes, Karen has signed him up to be a military prisoner and commends him to cut his hair to military length. Like all the other military-prisoner hopefuls that Karen has talked to today, the man agrees immediately. “Wonderful! And your facial hair will be gone by then? And your tattoos and piercings that are on your face? Yes. That’s great,” she says.
A few weeks later, after the XXX:State of the Union people have left town, Davis is already busy with her next project—Paramount’s remake of The Bad News Bears. The military-prisoner scene, which did turn out to have Ice Cube jumping out of a helicopter, went smashingly: “Most people here work in cubicles, and they have nothing to talk about when they get home,” she says. “[The military prisoners] are still e-mailing me saying that it was the best time they’ve ever had—they got beat up, they were shackled, they were in handcuffs, and they’ve never had more fun.” CP

Wednesday, October 20, 2004

If you're walking around in Dupont Circle or Adams Morgan this week and see some people in awesome hip-hop purple jumpsuits handing out fliers promoting Yahoo! Local... please be kind. You don't have to buy anything or join any cults... just take the flier so I can go home.

I can't win a prize, but you can at http://local.yahoo.com

p.s. I look really cute in a Purple jumpsuit.

Sunday, October 17, 2004

ouch!

Ran for the phone, hit my knee on the coffee table... it was a telemarketer ...I kinda miss the phone being broken.

Saturday, October 16, 2004

I feel kind of blah today.

I need to do laundry.

Those things are pretty much unrelated. I mean... I'm not blah because my clothes smell bad... I'm wearing CLEAN clothes... promise! I mean I don't always wear clean clothes but today I am. Clean but ugly clothes... old clothes. Ok so the two things ARE related... fine. Are you happy? Why do you always have to be right?

Monday, October 11, 2004

This week, the workaholics at Carlyn Davis Casting are searching for 12 year old baseball players for the remake of "The Bad News Bears" here's the info http://www.carlyndavis.com/bnb/bnbcastingcall.htm feel free to forward that link to anybody you think might be interested. I'm sure all my friends are sick of hearing about it, but you never know who might be the friend of the cousin of the next Tatum O'Neill.

So yes, Carlyn asked me to stay for another week... but I promise this is the last one. I'm doing some psuedo-acting next week so I can't go into the office.

Casting is a really cool job for an actor to have. It's like being the captain of the kickball team in gym class. Oh the power. I need to get out soon, it's going to my head.

I still haven't heard any more about my 3 lines in the indyfilm shooting in November, but I'll keep you posted.

Saturday, October 09, 2004

Front row at the Beastie Boys was AWESOME!

It's been a while since I've been to a concert with that much energy going around. I especially liked it when they did their encore from the back of the Patriot Center, then they faked like it was over by putting the house lights up and everything then people started to leave, and they came back on with "Sabotage" for the second and final encore.

Soo good.




Thursday, October 07, 2004

I fell asleep early and now I'm awake again. This sucks. Looking forward to crazy sybling fun this weekend. TTFN

Wednesday, October 06, 2004

MeganK77 (11:35:59 AM): is that your cat in the IM window?
MeganK77 (11:36:12 AM): I waiting for it to do something funny
GConradS (11:36:33 AM)
: meow

GConradS (11:36:49 AM)
: it's the default on this puter... i thought it was funny

MeganK77 (11:37:27 AM): it's very hmmm... kinetic
MeganK77 (11:37:35 AM): like it's about to do ...something
GConradS (11:38:15 AM)
: it is thinking of witty comebacks...

GConradS (11:38:19 AM)
: like:

GConradS (11:38:31 AM)
: "asshole"

GConradS (11:39:51 AM)
: and better ones too

GConradS (11:40:01 AM)
: like "whatever"

GConradS (11:40:32 AM)
: or "talk to the hand, cause my feet aren't listening"

MeganK77 (11:42:35 AM): or "pussy"
GConradS (11:42:48 AM)
: you got it!

GConradS (11:42:58 AM)
: man that cat sucks at this

GConradS (11:43:03 AM)
: you are way better

GConradS (11:43:06 AM)
: hired

MeganK77 (11:43:14 AM): yay!
GConradS (11:45:13 AM)
: your first assignment is to figure out how to let the cat go...

MeganK77 (11:47:06 AM): take him out to lunch at a crowded resturant so he doesn't make a scene
GConradS (11:47:22 AM)
: good call

MeganK77 (11:51:58 AM): offer him a good severence package
GConradS (11:52:42 AM)
: look, i draw the line at giving an insult cat a golden parachute...

Tuesday, October 05, 2004

I auditioned for the "World Cup Comedy Challenge" or something like that. It was also kind of unofficially an audition for Comedy Sportz. I feel kinda wierd about it. I feel really un-funny. I mean there were some crappy people there and I did better than some of them. But at the same time there were some really good people and I wonder what the heck I'm doing. I feel like I don't deserve to be in improv or sketch comedy. Like I'm either not trying hard enough or I'm just not smart enough. I don't want to quit, but at the same time I have this nauseating feeling in the pit of my stomach that I'm wasting my time. I wish someone would just tell me I suck, so I can have an excuse to succomb to a desk job. As of right now there's this thin thread of hope that keeps me in poverty.

Apparently my last day of being a full-time casting assistant will be this Friday.

Saturday, October 02, 2004

FYI - I forgot to mention that I did not get into Second City, but neither did Chris Farley his first time. Apparently I missed it by one point... I hadn't realised there were "points" or I would have worked harder on poise instead of investing all my time on swimsuit and talent. They asked me to try again please and were very informative about the dates and such... so that was comforting.

However... there is a silver lining. I got a small speaking part in a low-budget film shooting in November. I will be "the waitress" in "Past Perfect" by SysifusRock Productions. I think I'll have like 4 lines. I know nothing about the movie except that its gonna be wierd. The part of the script I read at the audition included some halucinogenic flash backs and such. ...but it's still nice to have a little pat on the back that says... yep you're doin stuff.
So after I published that last self-centered post, I looked at my calendar and realised that I forgot to go to two... count them... TWO parties last night. I am never such a social butterfly, but this just happens to be one of those weekends where all of my various circles of friends are celebrating various events. So I would like to take a moment to publicly apologise to the parties involved in the parties.

First to Melissa.
I am such an ass. You always make sure you are there at my celebrations, and I deserve to be drowned for not stopping by Lupo's last night. I am so sorry. Congrats on your declaration of independence from the Box. I wish I could be so brave as you. Best wishes on your future successes in the world of mental illness.

Lastly but most importantly to Greg.
Don't die.

Seriously. Don't die.

Even though we hardly see eachother I still consider you one of my best friends. I will support you no matter what crazy adventures you take in life. I understand how badly you wanted to be one of the few and proud or whatever they call themselves. Just don't let them change you, and don't die.

So to all involved:
I know I said I'd be at both parties unless I was either dead or drunk... well I guess you could say I was a little bit of both. I got stuck in traffic on my way home from work and didn't get there until about 8:30pm. I took some Nyquil to ease my sniffling, sneazing, and stuffy head. And then I woke up and it was today.

Old CCM friends and BOX Girls, I am so sorry. Theatre friends... I got plenty of sleep last night so I should be there with a french manicure in a few hours. High School friend... BEASTIE BOYS!! Other friends... call me sometime because my life is so boring and uneventful lately.
Below is the first of a three part series in the Washington City Paper about being an extra in "State of the Union" Lilian is not a big fan of Bidisha. Maybe because Lilian has a general distrust of humanity. Maybe because Bidisha referred to Lilian as "brusque" I tried to tell Lilian that it was a typo and Bidisha really meant "burlesque" but she wouldn't buy it. Personally, I like Bidisha. So far. Yesterday she asked me for my last name when she called... so I'm guessing there will either be something really good, or really bad about me in the next installment.

I pasted the article here because I think it gives people a general idea of the crazy nuts that have been calling our office wondering why they weren't cast in the movie. I try to be nice and explain to them that we couldn't fit all 8,000 people into the movie, but sometimes I just have to use a trick I learned from my grandmother and say, "Well, Thanks for calling!" and hang up.

Extra Ordinary

D.C. types await the chance to play themselves.

By Bidisha Banerjee

On Aug. 18, a strange and irresistible ad aired on local radio and television stations: “Extras needed—major Hollywood movie in town! You can star in the movie with Ice Cube, Samuel L. Jackson, and Willem Dafoe!” Although the ad went on to invite “anyone and everyone” to try out for the flick, XXX: State of the Union, it specified that the Carlyn Davis Casting agency was on the hunt for some particular types, including, according to the transcript, “Mechanics, Prisoners...NSA types, Tactical NSA, FBI agents, Cops...SWAT team, Bouncers, Tough Gangster types, Hoochy Women, Tourists, Business Types—Capitol Hill Suits, Senators, 1 baby, BAMA commandos, teachers, Secret Service, News reporters and news camera/sound teams, Reporters, SHARP SHOOTERS, Military Soldiers (must be fit and have military hair), Dog Walker, Joggers, Bike Courier...etc.”

Today, the afternoon after the ads aired, almost 2,000 D.C. types hoping to play, well, D.C. types, are lined up outside the ESPN Zone downtown. They include a real-life CIA agent, a Metro worker, a nonprofit director, a teacher, and a secretary, among others. According to the casting agency, some hopefuls have been waiting here since 6:30 in the morning; their constant shuffle has managed to irk the shop owners around the block so much that they’ve been trying to shut down the casting call early, complaining that they’re losing business. The crowd is being led through its paces by a handful of employees of Carlyn Davis Casting, plus five unpaid interns. Some are marching around outside, handing out application forms, maintaining peace and order, and promising haste. The rest are inside, helping with the casting process, which, at this point, is largely mysterious to the patient swell of people standing outside.

Confronted with an application form that asks them to check off boxes beside “types you can play,” people are blinking in the bright sunlight, trying to size up their own potential. But as they check off the boxes on the casting form, it seems as if no one wants to play himself. One woman, who works at the CIA, expresses no interest in the many government-official types. Instead, she wants to be “tourist, shopper, business person.”

Adams Morgan resident Pete McCall, 32, wants to play a law-enforcement or military role and claims that all he cares about is ending up as a dead body on the floor. He is, indeed, muscular—but not because he’s a real-life military or law-enforcement type; rather, he trains personal trainers. It turns out that McCall already has his acting chops, having appeared in Scorned 2, a Showtime production in which he played a college student who slept with his male professor. “It was straight to video” he says, a couple of times. He thinks he has a good shot at getting the tough role he wants because he’s “one of the few clean-cut, all-American white guys in line.”

Others are less choosy. “I’m a tourist, I’m a teacher, I’m a dog walker, I’m a prisoner...” says Manassas, Va., resident Joan Duszka, 66.

“I’m everything except a commando and a mechanic. I don’t want to get my nails dirty. Even hoochie women have to have nice nails,” says her pink-cheeked best friend, Kat Wosina, 55, from underneath her hat.

Unlike McCall, Duszka and Wosina don’t have traditional acting experience, but they claim that they are qualified to be extras because they are seasoned role-players. And they’re not talking about sorceresses or dragons: For the last few years, they’ve been simulating victims during FBI training sessions.

“We play feeble-minded old people who have Alzheimer’s. The police find us in our cars and realize we’re birdwatching, not casing the house [across the street],” Duszka says.

“We do the rape scenes, too,” Wosina solemnly reveals.

Calvin Chapman, 29, is also less discriminating when it comes to breaking into showbiz. An African-American man with a pear-shaped figure and dreads, Chapman is the head of a nonprofit called Young Scholars Making Dollars. “I would play anyone, even hoochie mama. I would, if I had to,” he says.

But Brookland resident Robin Smallwood, who is here with her daughter, is adamantly against the hoochie role. “I know I can do that, but I just wouldn’t,” says Smallwood, a unicyclist, usher, and sometime street performer.

Her friend, Katrina Ingram, 36, is a custodian for Metro. She came in uniform, she claims, because the radio told people to come out as hoochies or in uniform. Ingram says she’d like to be a tourist or a business type, but she wouldn’t want to be a prisoner, because she’s been in a holding cell before.

Around 4:45 p.m., Duszka and Wosina make it inside the building, one step closer to their silver-screen dreams. They find themselves in sudden darkness, surrounded by neon lights and massive television screens broadcasting every kind of sporting event. There’s a deserted bar, long and shiny, and a crowded restaurant-cum-arcade are visible from the floor below.

Upon a stool near the head of the line, there’s a casualty. Jalesia Busch, 16, is fanning herself and talking to an EMT. A few minutes ago, Busch passed out in the lounge due to heat exhaustion. Her mother and little sister are now at the front of the line, unwilling to leave now that they’ve come so far.

Wosina stands shoulder-to-shoulder with Duszka, while Lillian Burch, a brusque casting associate, snaps an instant photo. Wosina shakes it at a leisurely pace; after the picture has developed, per Burch’s instructions, she snips it in two and hands Duszka her half. The women staple their pictures onto their forms, upon which they’ve crammed their biographical information and their assessments of the types they can play. They walk up and hand them to a dais of interns. “Check back on our Web site. We’ll call you if we need you,” the interns say as they drop the applications into a pile. And that’s all.

Two hours after they arrived, the two women emerge from the building and ready themselves for the long journey, through the typical D.C. rush hour, back to Virginia. CP